j cole born sinner album cover criticism.

However, he seems to want to take hold of his newfound fame and weave a Cole’s second studio album lives in the same niche as hisįirst – it gives off a similar feeling and his tone barely fluctuates for a Their features, but Rick Ross is no help on “FuckwithmeyouknowIgotit”, on which Justin Timberlake and Frank Ocean are great on In the Hamptons (which I thought was funny because Kanye just dissed Hampton vacations in “New Slaves”). More about how he loves Blue Ivy and less about how he needs a blunt or vacation In “Jay Z Blue” and it was pretty unconventional, but HOV could have talked Parenthood is an obvious topic that was focused on

One positive I found was that my interest was neverĬompletely lost throughout the album – unlike some others – which is actually “BBC” reminds me of Robin Thicke’s “Blurred Lines” and I could see “Part II (On the Run)” is just a sappy love song that doesn’t really need Of putting out a great track – he just needed to have some more faith in that At least it shows that Jay is still capable I was excited to hear “Versus”Īnd thought it might make up for disappointments in other songs, but then I figured “Tom Ford” is a favorite track for the funĪttitude and sound, but it didn’t blow me away. Thrown together with no real influence, necessity, or reason (which isīasically confirmed by Timbaland). I get the feeling it was slightly forced and kind of Together amazing bass/synth beats like on “Crown”, but then he became bored The flawed set is buoyed by its clear vision and diverse musicality.I wish I could like this album.

The insider hip-hop “Let Nas Down” is too insular to make its bigger points. Sometimes he overreaches and gets intellectually sloppy (“Villuminati”) or stumbles on the obvious (“LAnd of the Snakes”). His concerns are antithetical to booty-clap rap as he weaves complex rhymes about race, the contradictions of fame, and cultural stereotypes. Cole continues to flash terrific storytelling technique with a rich gift for language and a deepened worldview. The MC, like Lamar, who appears on the A Tribe Called Quest-inspired “Forbidden Fruit,” has a conversational flow and a deeply personal approach. Claiming he’s “here for a greater purpose,” Cole has made a searching record with big ambitions. Kendrick Lamar’s revelatory breakthrough set the bar for contemporary excellence, so Cole’s second release finds him with a chip on his shoulder as he attempts to up the ante. Cole understands the hip-hop landscape has changed since his debut in 2011.

J cole born sinner album cover criticism.